"…….Ayelet Carmi draws images, partly reproduced, on transparent plastic sheets, images which are heaped one atop the other, intersecting" and creating hybrid machine-bodies which fluctuate between reality and fiction.

The sign as evidence of existence, and at the same time – as a trace and a manifestation of the limitations of representation, emerges in works in which duplication and reproduction alongside acts of burning, engraving, and impression make for a hermeneutical act of being, of history, and of memory…….".